Thirsty for a Fresh Take on All Things True Blood?

WELCOME! Thirsty for a fresh take on all things True Blood? Pull up a virtual barstool at the Pierced Pomegranate Tavern where sisters Rachel and Rebecca are serving up juicy feminist analysis with a twist and opening a vein of thoughtful sociocultural dialogue on HBO's hit series.

Like the epic literary salons of eras past - theaters for conversation and debate which were, incidentally, started and run by women; where the spirited debate about the issues of the day ran as copiously as the actual spirits did - but updated for the digital age, the Pierced Pomegranate Tavern is a fun forum for exploring questions ripe for discourse about the human condition & today's most crucial social issues through the medium of True Blood.

Your salonnières are not peddling liquor per se, but they are offering up new and alternative ideas informed by such diverse influences as pop culture, art, music, cultural history, Goddess studies, transformative theory, literature and poetry, and archaeomythology, filtered through the sieve of their own lived experiences as feminist women of a particular age, background, and culture.

This is a space where you - patrons and passersby alike - can view and engage with these perspectives through the lens of True Blood and contribute your own thoughts. So, no matter if you're a Truebie or a more casual viewer of True Blood, or your drink of choice is a pomegranate martini - one of Rachel's favorite cocktails to drink and Rebecca's to mix - an herbal tea, a frothy double mocha latte, or a can of Fresca (wink, wink) you're invited to join the conversation on the show's complexities in a way that can spark transformation.

Hopefully you'll find something to sink your teeth...err...straw, into! PLEASE ENJOY RESPONSIBLY ;-)

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The Pierced Pomegranate Tavern is dedicated to exploring social issues and more through the lens of True Blood. As such, you may encounter:

*SPOILERS
*TRIGGERS
related to the often provocative and adult themes presented by the show

If you choose to enter and participate in this virtual salon, please be prepared to do so in a thoughtful, respectful, and mature fashion with the above in mind. Click here to check out our comment policy. Thanks!

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Showing posts with label Russell Edgington. Show all posts
Showing posts with label Russell Edgington. Show all posts

Sunday, July 31, 2011

I don't know who you think you are, but before July is through, I wanna talk equal rights with you!

"I ought to post something about this", I remember telling my mom after she finished reading a piece on it being high time to honor our foremothers and pass the Equal Rights Amendment by Newsday opinion columnist Janus Adams to me over the phone on the Friday before the 4th of July.

By the time we got on the phone, the crickets were already humming in the grass and the sun had dipped low on the horizon. I was hurried, getting ready to take off for a trip upstate to the Lake George area to spend the long weekend with my in-laws. I knew we had to shove off in about two hours or so, and my mind was preoccupied.

Stomping around in the cramped confines of my laundry room with the phone balanced precariously on my shoulder, I was rooting through piles of folded wash for enough clean underwear to pack for the next three days and thinking about how best to avoid the crush of holiday traffic when Mom asked if I had time to hear an article she planned to tape to the fridge.

She does that, you know. A lot. Taping stuff to the fridge, that is. Her refrigerator is like a veritable billboard; gone are the scribbles and macaroni mosaics that decorated it when we were kids, replaced by political cartoons clipped from the paper, magnets that share the varied causes and ideas she supports, and lovely artwork accompanied by philosophical or spiritual mantras reminding her - and us - of who she is and what she believes. It's like a personal - or family, really, mission statement.

The apple hasn't fallen far from the tree - you should see my fridge! But I digress...

Mom wanted to read me something she planned to include as part of the rotating exhibit of refrigerator wisdom in the hopes of sparking a family conversation around the gendered politics of Independence Day that weekend, and I knew it behooved me to listen.

She had me at the first sentence, "As we celebrate our Declaration of Independence this holiday weekend, a triumph of history, let's pause to consider our herstory" [emphasis mine].

Also the author of Sister Days: 365 Inspired Moments in African-American Women's History, Adams highlighted Democratic NYS Rep. Carolyn Maloney's efforts to reintroduce the Equal Rights Amendment. It's been four decades since Congress passed this constitutional amendment enshrining the equality of rights under the law not to be denied or abridged by the United States or by any State on account of gender - and three decades since its defeat, three states shy of the 38 needed to ratify it within 10 years.

The struggle for women's rights in the U.S. has been long and hard. Adams traced its history to March of 1776, when another female Adams - Abigail - chided her husband John to "remember the Ladies", following it through to the present day and the recent Supreme Court dismissal of a massive class-action gender discrimination suit against retail giant Walmart. In this context, she asked, "What of the rights of women?".

According to Adams, we here in 2011 are far from 1848 (the year of the Women's Rights Convention and its platform, "A Declaration of Sentiments," that exposed "a history of repeated injuries and usurpations on the part of man toward woman."). But not far enough.

Invoking the liberatory legacy of the Seneca Falls convention the Female Anti-Slavery Society, of Lucretia Mott and Elizabeth Cady Stanton, and of the unsung women - black and white - who defied slavery and refused to be silenced or deterred by white abolitionist men who thought they had no place in the movement, Adams called for the passing of the ERA.

Here’s the True Blood connection: the as-yet unratified Equal Rights Amendment (ERA) is the capstone for the gender-blind laws liberal feminism has historically fought for which, according to the eminent Professor of Social Work Mimi Abramovitz (1996), include the right to vote, to enter the market, the receive an education, to own property, and to control their own bodies, to earn equal wages, etc.

As we wrote on our Feminism-With-A-Twist! page, the ERA (along with other equal rights and civil rights legislation of the past) seems to serve as the model for True Blood's Vampire Rights Amendment (VRA); the campaign for which has come recently to a highly contentious and divisive head with the string of reactionary anti-vampire terrorism touched off after King Russell Edgington "went Medieval" on TV.

By ripping out the spine of a news anchor and speechifying about the evils of humanity and the "true face of Vampire" before a television audience of millions, the King of Mississippi virtually nuked the American Vampire League's, as he called it, "precious VRA".

Check out this hilarious (yet educational!) AVL "children's outreach program" video promoting the VRA:



According to the True Blood Wiki, the VRA is a proposed amendment to the U.S. Constitution that if approved and ratified would extend equal rights to vampires, creating parity with humans. The American Vampire League is the main supporter of the bill; there is also some support in the Senate.

Did you know there was a pro-VRA rally in D.C. in 2008?




Yes, it was part of the viral marketing campaign launched on the website BloodCopy, but it did more than generate interest for the show; it actually helps set its sociopolitical tone.

The Wiki continues that the VRA has received strong opposition from freshman "Congressman David Finch" (remember him from S1, smoking weed with Lafayette after their paid-for "date"?) and other conservative elected officials and organizations such as the Fellowship of the Sun. The main fear of the opposition is that recognizing equal rights for vampires would lead to the "vampirization" of America.

Under the law as it presently stands, vampires do have certain rights:

  • Vampires are able to own not only their own homes, but open-to-the-public businesses as well; for example, Eric & Pam own Fangtasia
  • They can marry IN SOME STATES ONLY, paralleling the limitations for under the Defense of Marriage Act

Vampires also have their own hotels, such as the Hotel Carmilla in Dallas, which caters to vampires, as well as their own airline, Anubis Air, equipped with specialty coffins for flight. Remember these from Season 2? While these niche busineses necessarily provide for the special needs of vampires, they also raise the spectre of "separate but equal".

Now, anti-vampire sentiment seems at an all-time high. I remember seeing some tell-tale graffiti scrawled across a brick wall in an early Season 4 episode, "Save a friend, kill a vampire". In her Newsday piece Adams recalls that in 1838, so opposed were pro-slavers to the activities of the Female Anti-Slavery Society (started by black woman and, by that time, joined by white abolitionist women) that rioters - emboldened by the blind eye of the police - torched the group's Pennsylvania Hall convention site and stoned the fleeing women. A similar fate for vampires seems possible in light of the threat posed by Marnie, possessed as she is by the spirit of a 17th century witch who was burned at the stake and is seeking retribution against the undead for her torment at the hands of a few of their numbers centuries ago.

Would there be public outcry if she caused scores of vampires to walk into the sun? Or would the public feel that the uppity undead - audacious in their quest for equal rights with humans - had gotten what they deserved; the true death? 

True Blood's VRA plot line acknowledges the inequality and stratification of contemporary U.S. society as well as the challenges of partisan politics (hello, debt ceiling talks) and making social and political change. We’ll see if Nan Flanagan can muster a political solution or if the legislation – and the AVL - are dead in the water. 

Tears of resonance are moistening my eyes; writing this post (like gazing at Mom's refrigerator) been an exercise in remembering what really matters, what's important, and what we must continue to fight for. I feel reinvigorated in my commitment to anti-oppression work and ever grateful to my mom for sowing its seeds in me - and for being there to water, fertilize, prune, and trellis my plant of social justice as it's grown and matured, branching out in many directions.

Thanks, Mom.

And Vive la Fridge!

~ Rachel
References

Abramovitz, M. (1996). Regulating the lives of women: Social welfare policy from colonial times to the present. Boston, MA: South End Press.    

Monday, July 25, 2011

You aren't supposed to think, you're supposed to follow protocol!

So said King Compton to his [grudging] subject Pam in S4E4 I'm Alive and On Fire
This quote speaks well to a major theme I detected in that episode: hierarchical, authoritarian power & control

IN THE FAMILY

Joe Lee has a choke hold on Tommy and Melinda Mickens 
IN THE COMMUNITY

Crystal: "I'm big mama kitty now, finally. Everyone gonna do what I say"

AND IN THE NATION

the newly crowned vampire king of Louisiana


How is such autocratic rule achieved? How is it maintained? Is it legitimate? Effective? Do we have any alternatives? How can we throw it off?

If we are to organize ourselves and act to get out from under oppressive rule, we've got to be able to determine who's really in charge.

For example, Bill looks rather more presidential than kingly here, no?


In countries where there are both royalty and systems of representative government, the royals are generally seen more as figure heads than politicians; that label being reserved for those in elected office. Interestingly, Bill is being portrayed as the later. 

And he certainly seems to be more involved with matters of state than the two other vampire monarchs we have met thus far on True Blood,  Russell & Sophie-Ann, ever were. Yet, it seems someone else is really in charge.



Now, we all know that at least in this country, there is [supposed to be] balance of power. The executive branch of government is not omnipotent; the president must answer to the congress, etc.

On the surface, at least, this appears not be the case in the vampire nation.

So far this season, King Bill's power seems rather absolute and iron-fisted. Pam's telling him she wouldn't risk lying about Eric's whereabouts because word of Bill's ruthlessness as king has travelled far and wide is seemingly evidence of that. And then there's his condemning the vampire caught on YouTube feeding on a human to the true death without benefit of a trial (I want to take this case to the Authority!" Bill: "I am the Authority, you idiot !"). S4E3 If you Love Me, Why Am I Dyin'

But in this week's episode, we found out that things aren't so simple.

With Bill cast as somewhat of Nan's puppet - his distaste for power wielded unilaterally & unjustly made clear by his sarcasm when she inquird about the execution - could this be a critique of the U.S. system of government? Is True Blood suggesting that our elected officials from the school board to the Commander-In-Chief aren't really holding the reigns, the [fill in the blank - multinational corporations, shadowy interest groups, others in government, etc.] are?

Hhmmm...

Thoughts? Please share below.

~ Rachel

Saturday, July 23, 2011

"I'll trade you the red one for the blonde one"...Russell Edgington shows his true misogynist colors

In the mood for a little vintage True Blood? We're going deep, deep down into the wine cellar for this one, dear friends...all the way back to Season 3 ;-)


Remember the Episode 8 showdown between Russell and Bill in front of Sookie's house? Here's a quick recap.


Bill and Jessica had gone over to defend Sookie from Debbie and her werewolves. It was looking pretty good - vamps: 1, weres: 0 - when, before Bill could stop her, Jessica chased a fleeing wolf out the door and onto the front lawn where the King of Mississippi was waiting. Of course, he couldn't enter a human's residence; instead, he waited in stealth mode for an opportunity such as the one that had presented itself when Jessica ran straight into his evil clutches.


Bill - who was on the way up the stairs to give aid to Sookie - wavered for a moment before stepping out onto the porch in defense of his progeny. Challenging Russell, Bill asked the king if he was a coward or just plain lazy; hiding behind werewolves and the struggling baby vamp he was about to  sink his fangs into. "How about you and I settle this amongst men", Bill growled.


This next part is rich. Russell - in almost the same breath as he derided Bill for his sexism ("How very sexist of you, Bill. When it comes to killing, I've always been an equal opportunist.") - suggested, "I'll trade you the red one for the blond one". S3E8 Night On The Sun


Smacks of some of the essentialist concepts laid out in my post You Smell Like Dinner, i.e. women are not real subjects, complex and distinct but “infinitely substitutable beings”; objects branded with the “mark of the plural” (Rivera, 2003, p. 145 & 147), huh?


Me thinks King Russell hath shown his true [misogynist] colors!


And let's not forget some of his other most revealing gems, several of which were uttered in the Titanic-esque, patriarchal king-of-the-world plantation manor setting of 9 Crimes (S3E4) - complete with blood brandy and cigars...


...like the Rudyard Kipling quote he worked into his conversation with Bill; "A woman is only a woman, but a good cigar is a smoke." 

Or this lovely sentiment - apparently all his own in the sense that it wasn't lifted from a late 19th & early 20th century literary figure who celebrated British imperialism - although likely not foreign to the worldviews of many other men; "Tug on her purse strings, and you'll find a lady's heart".

It seems to me that these patronizing, dismissive attitudes would have been right at home in the dark wood paneled and opulently furnished retreats of Gilded Age wealthy men. Places where they could bathe in their power and the arrogance of their lording over their women, children, and servants shone through their masks of etiquette like the sun through clouds. Havens where their positions of authority both in the home and in the world of business were reinforced; their sexism [and other "isms"] likely met with a wink and a smile.
It is this type of Edwardian gentleman's parlour atmosphere that Russell seems to have tried to recreate, driven perhaps by his snobbish desperation to project an air of both affluent civility and unquestioned authoritarian power.             
Has the [white] male ruling class not changed that much since the time of first class crossings on the White Star Line? It seems such elitist fantasies have not gone down with the ship. 
Thoughts? We'd love to hear them.
~ Rachel
References
Rivera, R. Z. (2003). New York Ricans from the Hip Hop Zone. New York: Palgrave

Sunday, June 12, 2011

Tru Blood Tru World: An (Unlikely) Ecofeminist Philosopher

It's LAST CALL for this idea I distilled at the end of Season 3 but have yet to serve up and the FIRST TASTE of a new element we'll be featuring at the PPT come Season 4; Tru Blood, Tru World: AN (UNLIKELY) ECOFEMINIST PHILOSOPHER.

Driving home from work this past Tuesday, a piece on American Public Media's radio program Marketplace caught my ear. It was called, "Canada fights dirty".

Hmm... intriguing.

After Tess Vigeland's introduction, the report started with Marketplace Sustainability Desk's Scott Tong polling Americans on the street about the first thing that comes to mind when one thinks of our neighbor to the north.
 
Predictably, many respondents mentioned the folksy accent (i.e. what are you talking aboot, ay?). Several also upheld common stereotypes like, "it's America-light", "Canadians have a clean and orderly society" and - perhaps the most pervasive - "Canadians are polite, friendly, and nice".

I guess on some level I must buy into that last one, because that's why the piece grabbed my attention. Those nice Canadians are playing political hardball? Really?

Apparently so; according to Marketplace, Tuesday was the last day for the public to comment on a new pipeline to carry Canadian oil to the U.S. We already buy Canadian crude (we actually import more oil from Canada than from any other foreign nation) but whether to pipe in a lot more has become a bitter fight in Washington with deep economic, political and environmental implications.

That's because the product going through the pipe is controversial; it's known as oil sands - literally, it's oil embedded in sand - and it's one of the dirtiest fossil fuels in the world to produce since it requires steam generators and other kinds of heat to get the oil out. This means lots of carbon pollution, and high-carbon fuels are being banned globally.

"Environmentalists around the world are fighting Canada's attempts to export oil from Alberta's oil sands".

So Canada is pushing back.

Canadian diplomats are meeting with like-minded allies, like BP and Shell. Their argument: Canadian oil reduces U.S. dependence on oil exported from unstable and unfriendly Middle Eastern and North African nations. Canada doesn't exploit, oppress and kill anyone to get their oil to market. And, according to Calgary oil analyst Dave Yager, they're "not going to use the profits from tar's oil sands production to build a nuclear bomb and annihilate Israel".

Naturally, what - or who - did I think of while listening to this piece weighing the pros and cons of keeping Canada's dirty oil flowing?

Why, Russell Edgington, of course!

I know, I know, on the surface, at least, it seems odd that a piece broadcast on NPR about, amongst other things, environmental concerns would make me think of the King of Mississippi instead of, lets say...our resident True Blood king of recycling, Bill Compton...

paper products go here, Tru Blood and other glass products go here...bravo, Mr. Compton!
But seriously, let's think about this for just a minute. 

Hearken back, if you will, to the Season 3 scene in which Russell and Eric are riding in the back of a limousine together, on the way to press Queen Sophie Ann into marriage and to challenge the Magister.


Recall how the increasingly agitated king remarked to the scheming Viking: "Throughout history I have aligned myself with or destroyed those humans in power, hoping to make a dent in mankind's race to oblivion. What other creature actively destroys his own habitat?"

Might our duplicitous, power-hungry King Russell also be an (unlikely) ecofeminist philosopher?

"In the case of Russell, he's a power-hungry ancient druid who has a serious concern of the stewardship of the earth". So says a man who looks an awful lot like the King of Mississippi -  Mr. Denis O'Hare himself - in an interview with Brandon Voss of The Advocate

And who can forget the infamous spine-ripping scene in which Russell rants about humanity's egotistical overconsumption and violent, polluting ways...

    

Russell - according to Mr. O'Hare, who has reportedly worked out a detailed backstory for his scene-stealing True Blood character - is not of this time. His worldview was shaped during a time when humankind had a far different schema for life on earth, organized around a dramatically different master metaphor. The king's druid brethren were possessed of the ancient wisdom - which, in her essay "The Evolution of an Ecofeminist" Julia Scofield Russell suggests has been lost and refound in modern works like James Locklock's Gaia: A New View of Life on Earth (New York: Oxford University Press: 1979) - that the earth is a living being.

And that "the law of the circle" (remember, during his confrontation with the Magister, Russell insists that there is only one true law - the law of nature?) - "the fact that the Earth's natural life-support systems are circular. There is no 'out'. Everything is in the system, and everything we put into the system comes back to us, for good or ill" (Scofield Russell, 1990, p. 229) rules.

Everything is in the system. Including we humans. There is no "out". We can't escape the destruction we wreck. You may disagree with his methods (as I certainly do) but can you really blame Russell for trying to stop, as he says,  our "race to oblivion"?    

Imagine how difficult negotiating modernity must be for an ancient vampire such as Russell, whose multimillenia-long undead lifetime has brought him into such clash and conflict with a nearly unrecognizable paradigm; an entire civilization that heaps abuses upon the earth's body:
...toxic wastes, ozone depletion, species extinction, desertification, smog, acid rain, famine, forest death, poverty, cancer, genocide, dead rivers and lakes, nuclear contamination. (Scofield Russell, 1990 p. 225)
Sounds not unlike Russell's shocking televised speech above, huh?

We 21st century denizens may soon be facing what it's like to live through seismic paradigm shift. In fact, it very well may already be underway; many signs point to this truth.

Here's a relevant excerpt from my dissertation:
  
Several transdisciplinary theorists have issued a clarion call for a paradigm shift as an integral and overarching component of systemic social change (Morin & Kern, 1999; Nicolescu, 2002; Plumwood, 1993; Wilshire, 1990).


This a metamorphosis which is nothing short of the birthing of a new vision to replace the old frameworks dominated by dichotomous thinking that form the bedrock of modern society and are fundamental to its many ills.

Nicolescu (2002) discusses the immediacy of action required in terms of bringing about a visionary, transpersonal consciousness nourished by knowledge growth to challenge the threat of our material, biological, and spiritual destruction posed by blind adherence to the logic of utilitarianism that characterizes the dominant paradigm.

Goerner’s (2001) advocacy of the concept of a “great turning” posits that this revolution will result from radical changes in the way we think about our world and our relationship to it. She likens it to a developmental passage, a self-generated metamorphosis similar to that of the butterfly.


As the caterpillar is compelled by forces from within to slough away its DNA to allow for the butterfly with a completely different genetic code than its larval form to emerge, so too does our civilization transform as a result of pressure, pushing from the inside-out.

This process is driven by the interconnected crises of modernity. Goerner (2001) asserts that there are hints all around us that modernity has reached the end of its useful life; its virtuous beginning ushered in the noble notions of liberty, equality, fraternity, and reason but its twilight is delivering silent disaster on an epic scale. The transition from modern to integral age will entail profound global change. It will eventually alter every facet of civilization, and it is happening now, not in one or two countries, but in the entire developed world and in many developing nations.

The “great turning” thesis emphasizes the critical role of changing the assumptions that guide our thinking about the world and our place in it. She suggests that shifting the root metaphor we use to explain how the world works from mechanistic to web and ecosystem metaphors will render modernity as radically different from the coming integral age as our current civilization is from medieval times.  Such a reformulation will depend largely upon the choices we make, and whether we as a society can loosen the assumptions and worldviews to which we cleave to allow new ones to emerge like a butterfly from its chrysalis. (Goerner, 2001).

WOW. Are we ready for such a major, life-altering shift?

In my estimation (and Russell's), something's gotta give.

Remember during that same limousine ride I was talking about above how Russell lamented to Eric, "Do you remember how the air used to smell? How the humans used to smell? How the humans used to taste?" Perhaps Russell's reminiscences about the pre-Industrial world reveals something deeper than his recognition that we are polluted and his simple, animal longing for human blood that tasted better, purer.

Maybe, just maybe, Russell can taste what we are lacking in our very blood - "the loss of soul in modern philosophy" (Cajete, 2000). Anthropologist Michael Harner writes about this kind of spiritual vacancy in his treatment of “soul loss”; in contemporary North American Hispanic communities this phenomenon is known as susto and is considered a common condition in the modern world (Broderick, 2001). 

As grief expert Elizabeth Kubler-Ross noted, “There is no spirituality left. I mean the inner, deep knowing where we come from”(Wilshire, 1990, p. 92). Accordingly, Orthodox theologian David Hart offers a sobering analysis of “metaphysical boredom” and what it means for modern Europe:
A culture - a civilization - is only as good as the religious ideas that animate it; the magnitude of a people's cultural achievement is determined by the height of its spiritual aspirations. One need only turn one’s gaze to the frozen mires and fetid marshes of modern Europe, where once the greatest of human civilizations resided, to grasp how devastating and omnivorous a power metaphysical boredom is. The eye of faith presumes to see something miraculous within the ordinariness of the moment, mysterious hints of an intelligible order calling out for translation into artifacts, but boredom’s disenchantment renders the imagination inert and desire torpid. (Catanzarite, 2007, p. 103).
Canda and Furman (1999) define spirituality as "the universal and fundamental aspect of what it is to be human - to search for a sense of meaning, purpose, and moral frameworks for relating with self, others, and the ultimate reality" (p. 36).
Could it be that the spiritual malaise of contemporary Western society; indeed, our stagnant collective soul, (which Russell perhaps tastes in our blood) might be a function of our estrangement from Earth and from the web of life?

Native Science: Natural Laws of Interdependence author Gregory Cajete (2000) writes that Henryk Skolimoswski was one of the first to articulate an eco-philosophy for the transformation of thought needed to bring a new ecological consciousness. In his 1981 study, "Eco-philosophy: Designing New Tactics for Living" he states that current political systems threaten to rob us of our highest values and because the current basis for action is no longer deeply rooted in life-serving purposes (echoed by Scofield Russell: "Ecofeminists antifeminine, it is antihuman, antilife", 1990, p. 225) or reverence for nature, we need a new philosophy to inform and guide us.

According to Cajete, "The era of the 'eco-individual' is dawning" (1990, p. 59.).

What will this era - and the eponymous "eco-individual" look like? How will we tell when it has dawned, and what can we do to move it forward?

Above, I referenced Lovelock's Gaia theory. Back in Season 1, Amy Burley queried a very overeager-to-do-V Jason, "You know what Gaia is, right? Theory of Gaia?". Amy may have understood Gaia theory intellectually, but despite her hippie persona and her  I'm-an-organic-vegan-and-my-carbon-footprint-is-minuscule pseudo cred...


...believe me, she didn't really get it. Amy Burley was a false prophetess - hollow; a complete sham.  

Her treatment, and eventual staking of vampire Eddie Gauthier shows how little she comprehended the meaning of the Lakota phrase "Mitakuye oyasin", translated as "we are all related" (Cajete, 2000, p. 86).



Eco-philosophy is utterly dependant upon this tenet.

If eco-consciousness is indeed a return to ancient wisdom, perhaps we can glimpse the coming paradigm and eco-individual in the Maya words:
The roots of all living things are tied together. When a mighty tree is felled, a star falls from the sky. Before you cut down a mahogany, you should ask permission of the keeper of the forest, and you should ask permission of the keeper of the star. (Cajete, 2000, p. 108)
Euro-western society has much to learn from living indigenous traditions, whose ways and wisdom may seem comfortingly familiar to the pre-Christian Celtic Russell Edgington. For example, native science offers a system for naturalistic observation and knowing which honors and integrates sense, perception, and the metaphoric mind to apprehend reality. Unlike conventional science which leaves out so much, this Indigenous scientific method opens to "the sacredness, the livingness, the soul of the world" (Little Bear, 2000) in a way that can bring us to new and needed vistas.

Ecofeminist Julia Scofield Russell reminds us that while we are all a part of the body politic ("We are its lifeblood, its nerves, its brain") and as such we must continue to engage in the activities of the nation state in order to make a difference, we can also exercise what she calls the "politics of lifestyle", "a distinctly feminine politics in that it is both inner and universal, personal and all-inclusive" (1990, pp. 226-227).

It DOES matter what we choose to do in our personal, everyday lives and at our home and hearth; it matters deeply.

As Scofield Russell writes, the movies we go to see, the food we eat, our relationships, what we throw away and where, our livelihoods - everything - emanates out into the larger system, ultimately impacting the whole living planet.  

Although humanity may be behaving as a cancer on the earth, the answer is not - as Russell thinks - to subjugate and control us so as to force our compliance with his will, despite his (at least ecologically) good intentions.  

If we want to make a difference for the better, we can take our role as consumers seriously and behave as such. We must understand that when we purchase a produce we are supporting the entire system that made it. We can support companies and practices that are sustainable and withdraw our dollars from those that are ecologically and socially damaging. 

There are so many ways we can initiate life-affirming changes in our everyday lives; with our diet and food buying practices, with our relationships, tax resistance, housing, gardening, conservation - as Scofield Russell (1990) writes, it's up to us.  

And yes, Bill Compton, we can recycle.

What do you think? How are you making change; making a difference? We'd love to know! Please share in the comments section below.

Sláinte (an Irish toast to your health) for now...

~ Rachel

References 

Broderick, R. (2001). Leather tramp journal: A 12-mile mountain retreat. Leavenworth, KS: Forest of Peace.

Cajete, G. (2000). Native science: Natural laws of interdependence. Santa Fe, NM: Clear Light Publishers.

Canda, E. R., & Furman, L. D. (1999). Spiritual diversity in social work practice: The heart of helping. New York, NY: Free Press.

Catanzarite, S. (2007). Achtung Baby: Meditations on love in the shadow of the fall. New York, NY: Continuum.

Goerner, S. J. (2001). After the clockwork universe: The emerging science and culture of integral society. Charlotte, NC: Baker & Taylor, Inc.

Little Bear, L. (2000). Forward. In Cajete, G. Native science: Natural laws of interdependence. (pp. ix-xii) Santa Fe, NM: Clear Light Publishers.

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Monday, March 28, 2011

We Were There (In Spirit): The 22nd Annual GLAAD Media Awards

No, unfortunately WE weren't actually there - the title for this post is a riff on the piece written by our friend Kristina who was most certainly in the house covering the event for Cherry Grrl along with our favorite vampire king, Mr. Russell Edgington himself (Denis O'Hare) who picked up the GLAAD Media Award for Outstanding Drama Series on behalf of the cast and crew of True Blood. Thanks to Kristina for making us feel as though we were there through her intrepid reporting!

Click the link below to read her article on the 22nd Annual GLAAD Media Awards held right in our backyard...NYC!

We Were There: The 22nd Annual GLAAD Media Awards.

CONGRATULATIONS to True Blood on being recognized for its outstanding representation of the LGBT community in the media!


Fellow NYer (Brooklyn, to be exact) Denis O'Hare at 22nd Annual GLAAD Media Awards gala
~ Rachel

Monday, February 28, 2011

It's Still the Month of Love...For All!

All over town today I saw St. Patrick's Day flags flying; it's an encouraging sign of spring but it's too soon...don't get me wrong, I want to see the patches of snow here and there along with their larger, more imposing dirty pile counterparts dotting the neighborhood melt away as much as the next girl, but...it's still the month of love!

I can't bring myself to put out the greens until the first day of March, and while that's right around the corner, let's stay in the present -  like it or not, February is for Valentines.




I know that V-day (pun intended!!!) has both supporters and detractors, but it can't be denied that the month of cupid, chocolate and flowers kicks our culture into overdrive for the ideal of romantic love; an ideal that is usually represented in a manner consistent with heteronormativity.

That's where GLAAD comes in...
You may know that True Blood has been nominated for a GLAAD Media Award in the category of Outstanding Drama Series. YAY TB!

Put on by the Gay & Lesbian Alliance Against Defamation (GLAAD) (a non-profit organization whose mission is to promote understanding, increase acceptance and advance equality by amplifying the voice of the LGBT community, empowering real people to share their stories, holding the media accountable for the words and images they present, and helping grassroots organizations communicate effectively) the GLAAD Media Awards are  - according to the organization - the largest, most visible LGBT gala in the nation. And this year, GLAAD is celebrating it's 25th Anniversary with awards shows held in New York, Los Angeles and San Francisco bringing 5,000 attendees, corporate partners and celebrities together to recognize outstanding representations of the LGBT community in the media and GLAAD's vital work to achieve full equality.

While I was checking out GLAAD's website for information on the New York awards show (who knows, the PPT may have to make an appearance on the scene ;-) I discovered a timely piece on Valentine's Day; it's a resource kit for crafting V-Day coverage that integrates LGBT couples' romantic celebrations. While aimed at the media, I think it's such a great resource for everyone - a real awareness and sensitivity raiser - that I've pasted some of it below; click here for the whole thing, plus links to local and national organizations and resources for marriage, marriage equality, civil unions, and commitment ceremonies:

Valentine's Day Media Resource Kit
BACKGROUND

Valentine's Day receives a great deal of media attention. Print and electronic press outlets nationwide share stories of couples proclaiming their love and commitment for one another. However, lesbian, gay, bisexual and transgender (LGBT) couples are often excluded from Valentine's Day media coverage—and LGBT couples of color receive even less attention in both mainstream and people of color media. GLAAD hopes that the following resources will help you produce Valentine's Day stories that reflect the true diversity of our society by including LGBT couples in the coverage of this romantic holiday.

LANGUAGE

LGBT people and relationships are often excluded by the kinds of language media professionals choose to use. Consider the language used to describe couples in general: Does it assume that all couples are heterosexual? Does it allow for non-traditional families? Does it subtly endorse opposite-sex relationships while marginalizing same-sex commitments? GLAAD encourages media to use words and descriptions that can be universally applied to all couples – gay and straight – and that respect the significance of their commitments.

LGBT people use a variety of terms to describe their relationships and significant others, including: partner, spouse, girlfriend/boyfriend, lover, husband/wife, companion, same gender loving couples (for couples from communities of African descent), marriage, partnership and family, among others. We encourage you to ask people which term they would like you to use. Also, please do not put quotation marks around the description, as this implies the described relationship is somehow illegitimate.

GLAAD'S Media Reference Guide contains a comprehensive glossary of LGBT-related terminology.

NEWSPAPERS ACROSS THE COUNTRY RECOGNIZE SAME-SEX UNIONS

A growing number of newspapers are committed to reporting on weddings, civil unions and commitment ceremonies for gay and lesbian couples. In 2008, six years after persuading The New York Times to open its Weddings/Celebrations pages to same-sex couples and launching its Announcing Equality campaign, GLAAD now reports that 1,049 newspapers – nearly 72 percent of all daily newspapers in the United States – now accept wedding and/or commitment ceremony announcements for gay and lesbian couples. In late 2002, only 70 newspapers said they would print such announcements.

DIVERSITY

In reporting on LGBT couples, please also remember that they are as diverse as the rest of society, crossing lines of gender, race, age, income, class, family structure, religion, geography and political affiliation. We encourage you to reflect this diversity in your coverage.

STORY POSSIBILITIES

Please consider integrating LGBT couples into your Valentine's Day feature story. You might cover topics such as:

- Couples looking back at how they met

- Valentine's Day weddings and anniversaries

- Dating trends (meeting online, dating services, blind dates, etc.)

- Anniversaries of marriage equality legislation: Massachusetts (2004), Connecticut (2008), Iowa (2009), Vermont (2009), Washington, D.C. (2009) and New Hampshire (2009)

- Valentine's Day events for singles

- Long-distance relationships

- Surprise marriage proposals on Valentine's Day

- Retired couples re-igniting romance

- Planning a Valentine's Day getaway

- Couples' favorite poems, songs, vacation spots, etc.

- Choosing the perfect Valentine's Day gift

- High school sweethearts

- Celebrity couples and break-ups

- Wedding-day successes and disasters

- Balancing romance and family obligations

- Workplace romances

- Bi-national couples’ stories

- Making Valentine’s Day dinner reservations – especially at the last minute

-Finding a babysitter on Valentine’s Day

Also:

- Include romantic lesbian/gay-owned restaurants in your area in your list of Valentines Day dating recommendations.

- Include lesbian/gay-themed comedies or dramas in your list of all-time most romantic movies.

- List relationship development books for same-sex couples in features about keeping romance alive.

- Talk to local jewelry stores, wedding planners, bakeries, florists and other companies that offer services and products for same-sex couples' commitment ceremonies.

- Talk to pastors who conduct same-sex ceremonies at inclusive churches, particularly in communities of color.

So I'm thinkin', in our current media and cultural climate, how might True Blood couples like...


Lafayette and Jesus

Russell and Talbot


Sophie-Ann and Hadley
...negotiate the joys and pitfalls of Valentine's Day? Would there be venues for their tales of couplehood to be heard, validated, celebrated?

I make no judgement on these relationship in the sense that I'm neither lifting them up as model unions nor denouncing them for their flaws; these are not perfect relationships (if there were such a thing) but I have singled these couples out for a reason.

Sure, hooking up is fun and who am I to say that recreational sex is bad (I wouldn't say that, but that's neither here nor there) whether you're gay, straight, bisexual, transgender, queer, or...Pamsexual (OK, OK, a silly play on words - I mean pansexual which is the way Kristin Bauer van Straten describes her character Pam). But for the purposes of this post, hook-ups aren't what I'm talking about... 


Pam and Yvetta
Nor am I referring to vampire blood-induced homoerotic dream sequences played out for comic impact:


Bill and Sam...saved by the cell!
 The reason I chose to highlight Russell & Talbot, Sophie-Ann & Hadley and Lafayette & Jesus is that despite the problems of representation that we see in some homosexual couples and couplings (i.e. the camera cuts away from love scenes with Lafayette & Jesus just before, as Nelsan likes to say, they "do the do" yet the camera stays fixed as Eric, posing as a gay man, graphically "seduces" and stakes Talbot, etc.), in each of these couples, Alan Ball and the writers have allowed us to see moments of true caring and connection and moments of tenderness - physical and otherwise. Evil as he is, Russell's pain and grief at Talbot's death is palpable. As it turns out, Hadley really is the closest person to Sophie-Ann, human, vampire, or otherwise. Lafayette may just be willing to get out of the player game for Jesus.

We don't often see complex and nuanced homosexual relationships on TV, but that's changing. Back in October fellow TB blogger sunnynala posted on True Blood Underground, True Blood found to be the most inclusive television program of LGBT characters. That piece also draws from GLAAD - as mine does - and gives good stats on LGBT characters on broadcast and cable TV plus a good discussion in the comments section  on the topic.  

Even Sookie and Bill - who at the end of S2, were it not for the no-good-rapscallion-V-head weres kidnapping the groom-to-be would have been celebrating a very special engagement, since human-vampire marriage does not yet enjoy universal marriage equality in the world of True Blood - bring issues of injustice that are relevant to the LGBT community to the fore...


.reinforcing for me that, as Alan Ball says, while the vampires are not stand-ins for the LGBT community per se; the show is conveying a broader message more like that of Martin Luther King, Jr., "Injustice anywhere (and to anyone) is a threat to justice everywhere (and to everyone)". [parenthetical phrases are mine, but I think are in MLK's spirit].

On that note, nighty-night all!

~ Rachel