Thirsty for a Fresh Take on All Things True Blood?

WELCOME! Thirsty for a fresh take on all things True Blood? Pull up a virtual barstool at the Pierced Pomegranate Tavern where sisters Rachel and Rebecca are serving up juicy feminist analysis with a twist and opening a vein of thoughtful sociocultural dialogue on HBO's hit series.

Like the epic literary salons of eras past - theaters for conversation and debate which were, incidentally, started and run by women; where the spirited debate about the issues of the day ran as copiously as the actual spirits did - but updated for the digital age, the Pierced Pomegranate Tavern is a fun forum for exploring questions ripe for discourse about the human condition & today's most crucial social issues through the medium of True Blood.

Your salonnières are not peddling liquor per se, but they are offering up new and alternative ideas informed by such diverse influences as pop culture, art, music, cultural history, Goddess studies, transformative theory, literature and poetry, and archaeomythology, filtered through the sieve of their own lived experiences as feminist women of a particular age, background, and culture.

This is a space where you - patrons and passersby alike - can view and engage with these perspectives through the lens of True Blood and contribute your own thoughts. So, no matter if you're a Truebie or a more casual viewer of True Blood, or your drink of choice is a pomegranate martini - one of Rachel's favorite cocktails to drink and Rebecca's to mix - an herbal tea, a frothy double mocha latte, or a can of Fresca (wink, wink) you're invited to join the conversation on the show's complexities in a way that can spark transformation.

Hopefully you'll find something to sink your teeth...err...straw, into! PLEASE ENJOY RESPONSIBLY ;-)

YOU'VE BEEN SERVED (A WARNING)...

The Pierced Pomegranate Tavern is dedicated to exploring social issues and more through the lens of True Blood. As such, you may encounter:

*SPOILERS
*TRIGGERS
related to the often provocative and adult themes presented by the show

If you choose to enter and participate in this virtual salon, please be prepared to do so in a thoughtful, respectful, and mature fashion with the above in mind. Click here to check out our comment policy. Thanks!

Disclaimer

No copyright infringement is intended, all rights to True Blood belong to HBO, credit is ascribed to sites where images appearing here were originally found.

Showing posts with label politics. Show all posts
Showing posts with label politics. Show all posts

Saturday, July 23, 2011

True Blood sans politics is like Tru Blood Lite; the show de-fanged

In her July 22, 2011 piece, “Comic-Con2011: ‘True Blood’ creator Alan Ball lets secrets slip”, Los Angeles Times correspondent Gina McIntyre wrote:
Ball did hint, though, that the vampires might continue to fight over Sookie, but they will unite to fight for their survival as the season reaches its dramatic conclusion. The year’s big baddie, Marnie, played by Fiona Shaw, isn’t exactly the threat Ball mentioned, though: “They’re going to stick together because they are fighting against a common enemy,” he said. “And that enemy is Michele Bachmann.”
At least one reader took umbrage; someone identifying himself only as Edward commented:
It would be nice if Ball would keep his politics to himself rather than taint the show with his liberal leftist views. I was actually enjoying the comic-con panel until he decided to inject politics. I thought that was very inappropriate. Not impressed by Mr. Ball.
Now, I know that the way you see something is determined largely by the lens you use to view it through; but seriously, what is True Blood without its politics?

It's wildly entertaining to be sure. Sexy. Fun. We know lots of fans see it that way - and judging from the Comicon coverage thick with references to the panel attendee who stood up and announced to Mr. Ball and the cast that the show has "improved his marital relations" and was met with raucous cries of agreement - this view isn't fading anytime soon. And it's justified. And I love it for those reasons. But it's more than that, too; it's more than the sum of its parts.

I, for one, appreciate a healthy dose of sociocultural and political content with my excellently acted, smartly written, so-called-escapist entertainment, thank you very much.

In my opinion, the show is neither didactic nor preachy. Yes, it has its fair share of "partisan" lefty rhetoric, i.e. when Jessica glamoured out of the guy she ran into at Merlottes who remembered her from her time spent at Bible camp as a human that he had been out, "picketing the baby killer factory in Birmingham" (S3E4 9 Crimes). But I think that True Blood actually posits far more questions than answers, and that's what makes for good civic discourse via pop culture.

The show reflects and comments on real issues in our real world; for me, therein lies its ultimate value. If the show had no greater relevance than do bodice-ripping romance novels or the usual throwaway popcorn TV fare the networks usually try to ram down our throats each summer (and year round for that matter), I'd have tuned out a loooong time ago.

Any thoughts? Please share below.

~ Rachel

Monday, February 21, 2011

I BEG TO DREAM AND DIFFER FROM THE HOLLOW LIES...SEX, BLOOD & ROCK-AND-ROLL AND AN AMERICAN IDIOT

I know what you're thinking: "Judging from its title (well, all of it except for the 'blood' part), what does this post have to do with True Blood, Rachel? Unless I'm mistaken, isn't that a lyric from a Green Day song? Have you decided to switch gears here at the PPT and dump TB in favor of sex, drugs, and rock-and-roll?

Not in the least...it's actually interesting how all things are connected...especially for us, the connoisseurs of pop culture in some way socially or politically conscious that we are...and besides, the title of this post does come from a song, just like the titles of True Blood episodes do - so in that way (and more) the PPT theme is intact :-)

This past Saturday night, Rebecca and I (accompanied by my husband Bobby) braved the punishing 60mph winds and trooped into NYC to take in Green Day's rock opera American Idiot.




 
In the interest of full disclosure, we started out at the Hard Rock Cafe, where I did, in fact, have a Pomegranate Martini!



Hark Rockin' it!


yes, we like to stage our drinks

Rebecca holding my drink; isn't her ring awesome?
 No, we didn't meet or get autographs signed by Billie Joe Armstrong - the lead singer of Green Day who, for a limited time only, is playing the pivotal role of





in the stage production...




...but something we did see in the dazzling, high-energy show took us a little off guard in terms of its connection back to True Blood.

The American Idiot set features many flat screen TVs of varying sizes inset into the backdrop, rising from stage level to ceiling on all walls. These screens, at times, flash video montages meant to convey the meaning and feel of the scenes as they play out; images bursting and shimmering in time with actors singing, dancing, and swinging from harnesses in aerial numbers.

During one scene in particular, the screens frenetically flashed war imagery juxtaposed with former President George W. Bush speechifying; these images and sound bites punctuated and underscored the movements of the actors - who were now in military fatigues - whirling and diving onstage to give the impression of the bombs and bullets of any given theater of war we're now engaged in exploding and flying around them.

And then - for several startling moments - this image flashed:


Look familiar? It should...this politically-loaded image which was created by comic book artist and illustrator Alex Ross and ran on the cover of The Village Voice in October 26, 2004 is hanging on the wall of Fangtasia!


What do you think?

With the surge of interest around vampires in our culture, is this image becoming a potent touchstone for dissent?

Your opinion is valued, so please weigh in on this one...and oh, by the way...Happy President's Day ;-)

~ Rachel

Wednesday, November 10, 2010

Who's Your Mama?

It's been a full week since Election Day, and the congressional race in my district isn't the only thing that's still unsettled. Yes, the attack ads and incessant robocalls have at long last mercifully abated, but frankly, the hoopla surrounding this most recent political cycle (and its rank billowing fallout) is even now roiling my gut like the queasy lurch of a dingy cast into stormy seas. OK, OK, maybe I'm overexaggerating a little...but partisan politics does at times make this girl feel like reaching for the pepto!

A few days before I cast my ballot I was moved to revisit an amazing gift my Mom gave me a few years back - Women Who Dare Knowledge Cards - brief illustrated biographies drawn from the collections of the Library of Congress which pay tribute to "inspiring women who have exhibited the courage and determination to reach beyond the ordinary and expected, often braving seemingly insurmountable sexual and political tyrannies in the process".

For me, reflecting on their lives really underscored something Rebecca wrote in her last post:
How have we allowed our sisters, daughters, grandchildren to think so negatively about a trail blazing group of women that made our lives what they are today? Without them we would not be able to vote, go to school, have a job, own land or any countless number of things we are able to do today, but as with most privilege take for granted.  
So true!

Canadian songwriter Nancy White's wry "Daughters of Feminists" echoes her point, since - according to the Knowledge Cards - the song "laments the tendency of younger women to forget the struggles of their elders".

As I sat curled up on my couch, cards fanned out on my lap, the countenances of women of passion and ambition who achieved outstanding success in varied fields of endeavor - literature, the arts, sports, natural sciences, politics, and more - formerly considered appropriate only to the attention of men seemed to me as the visages of ancestresses. I recalled feminist scholar Carol Christ's description of a women's pilgrimage to Crete and their descent into a small cave said to be an ancient site of Goddess veneration in her book Rebirth of the Goddess (1997, p. 28):
The Trapeza cave has two small enfolding rooms. The women gravitated to the smaller one, placing candles and a terracotta image of a Neolithic Goddess on a stone in its center. Libations of milk and honey were poured on the rock, and a song was sung. Then each woman spoke all the names she could remember of her motherline. "I am Carol, daughter of Janet, daughter of Lena, daughter of Dora, who came to the United States from Germany, grand-daughter of Mary Rita, daughter of Elizabeth who came from Ireland, " and so on around the circle. this was followed by the naming of female mentors and friends. As hundreds of female names echoed off the walls of the cave, the group sensed its connection to Neolithic women who may have sat in a circle in that same cave, remembering ancestors. This ritual strengthens women by giving us a sense of connection to a history of female energy and creativity stretching from the present back to the distant past. 
There is something powerful...and empowering...about invoking the names of the ancestresses - women who have gone before us who are tied to us by blood or bond who represent points on the Motherline. Naomi R. Lowinsky describes the Motherline as a name for a pattern, for the oneness of body and psyche, for the experience of continuity amongst women. She conceptualizes it as a central organizing principle in the psyche of women, "like the stem and the roots of the tree of life, through which a woman is related to the ancient earth of female procreation" (1992, p. 4).

In a time when, as Rebecca wrote below, "We have turned on each other! We live in a society where it is more entertaining to tear each other down then lift each other up. Through no medium is this more evident than in the world of "Reality T.V.". Here the Court Jester is king and kindness and morality are viewed as weaknesses...Where have all our role models gone?" we MUST remember our foremothers and welcome their legacies into our lives.

Our foremothers who saw personal wealth and pioneering achievement not as ends of their own but as means to promote and expand opportunity for others...


Mme. C.J. Walker (Entrepreneur, 1867-1919)
Elizabeth Blackwell (Physician, 1821-1910)

...who imbued their groundbreaking art with the struggle and power of women, who won acceptance in elite circles, who exerted profound influence and made headlines for their accomplishments instead of for their exploits of ill repute...
 
Frida Kahlo (Artist, 1907-1954)
Mary Cassatt (Artist, 1844-1926)
Ma Rainey (Blues Pioneer, 1886-1939)
Beryl Markham (Author, 1902-1986)

...whose revolutionary activism, writing, thinking, and oratory have sealed them to the annals of history as champions of equality and freedom...
  
Elizabeth Cady Stanton (1815-1902)
Susan B. Anthony (1820-1906)
Mary Wollstonecraft (1759-1797)
Lucretia Mott (1793-1880)

...whose fearless nonconformity and advocacy for the rights of women to practice birth control and retain their personhood within the institution of marriage has opened new avenues of expression for us all...

Calamity Jane (Frontierswoman, 1852?-1903)
Mary Edwards Walker (Physician, 1832-1919)
Margaret Sanger (Birth Control Pioneer, 1883-1966)
Lucy Stone (Suffragist, 1818-1893)
...who helped to extend feminist struggle to include the intersecting issues of class and race... 

Belva Lockwood (Attorney and U.S. Presidential Candidate, 1830-1917)
Mourning Dove (Indigenous Cultural Documentarian, 1882-1936)
Ella Baker (Civil Rights Leader, 1903-1986)
Harriot Stanton Blatch (Suffragist, 1856-1940)

...and whose celebrated and storied careers enriched the lives of all of humankind.
 
Rachel Carson (Biologist & Author 1907-1964)
Edith Spurlock Sampson (1st Black Female U.S. Judge, 1901-1979)
Chien Shiung Wu (Manhattan Project Physicist, b. 1912)

These are just a few of our "mothers"; women whose impact on the world has been felt for generations and is still palpable today. Some of them are icons, others are shining examples of the person who, quietly and often without fanfare, changes the system from within - men and women alike can (and should) proudly claim them as their Mamas!

When it comes to True Blood, Sookie and Tara, Arlene, Jessica, Pam, and Sophie-Ann, Crystal and Debbie needn't be cut from the cloth of any of these remarkable women or draped in the mantle of feminism; writ large as "feminist characters" to offer us valuable points of departure for dialogue and discourse around our issues and struggles, identities, aspirations, relationships, and our lives - whether we are male or female.

Remembering and honoring our Mamas is part of our feminist frame here at the Pierced Pomegranate Tavern- as is dipping into the surging contemporary women’s spirituality movement - a wellspring of wisdom bubbling up from our deepest cultural history and diverse belief systems from around the world for multi-dimensional ideas and approaches that enhance human well-being and to dismantle mechanisms of injustice and oppression. 

In my next post I will plunge into this font, using an archaeomythological approach to explore the Goddess Persephone's ordeal of rape and abduction...or sexual initiation? through the lens of True Blood.

So drop back in soon folks...and don't forget to call your mother (or mother figure in your life)! 

~ Rachel  

Wednesday, September 29, 2010

...and speaking of fine detail TV viewers may or may not be able to see on True Blood sets: a quick aside

Since I'm popping into the tavern just to point out something Fangtasia-related, I think I'll grab a quick bottle of Tru Blood A neg (my blood type, TMI?) served at the requisite 98.6 degrees - as Tara would tell would-be experimental imbibers like Hoyt - for the road since I'm about to head out to the diner for some actual nourishment in a few minutes...

You'll recall that in my last post I summarized the "True & A" panelists' response to Rebecca's question about how the unique locales in and around Bon Temps like the Stackhouse home, Merlotte's, and Fangtasia - when thought of as characters on the show in their own right - might influence or shade the actors' performance. Sam, Kristin, and Michelle seemed to unanimously agree that the sets' fine detail (which TV viewers may or may not ever see) has an immense impact on how they interpret and get into their characters, how they play their scenes with co-stars, etc.    

Speaking of fine details on sets, I leave you to ponder an image we noticed in the background at Fangtasia very early on in Season 1; last time we checked, it was still occupying a relatively visible spot behind the bar:


former U.S. President George W. Bush taking a bite out of Lady Liberty

Some thoughts/questions:


  • Does this image make a statement on Eric, Pam, or even the late Longshadow's politics?
  • Or more likely Alan Ball's?
  • What meaning can we take from the (strategic?) placement of images like this?
  • Is using imagery like this on set - even in the background where it is not directly addressed by the characters or involved in the action or in the ongoing narrative - an effective means of communicating ideas or catalyzing discourse?
  • What background images have YOU noticed on True Blood - even if they appeared on screen only for a split second - that you think may have been put there to make a statement or send a message?

Talk amongst yourselves, I'll be back to sum up the insights we gleaned from all three Dragon * Con True Blood panels.

~ Rachel