Thirsty for a Fresh Take on All Things True Blood?

WELCOME! Thirsty for a fresh take on all things True Blood? Pull up a virtual barstool at the Pierced Pomegranate Tavern where sisters Rachel and Rebecca are serving up juicy feminist analysis with a twist and opening a vein of thoughtful sociocultural dialogue on HBO's hit series.

Like the epic literary salons of eras past - theaters for conversation and debate which were, incidentally, started and run by women; where the spirited debate about the issues of the day ran as copiously as the actual spirits did - but updated for the digital age, the Pierced Pomegranate Tavern is a fun forum for exploring questions ripe for discourse about the human condition & today's most crucial social issues through the medium of True Blood.

Your salonnières are not peddling liquor per se, but they are offering up new and alternative ideas informed by such diverse influences as pop culture, art, music, cultural history, Goddess studies, transformative theory, literature and poetry, and archaeomythology, filtered through the sieve of their own lived experiences as feminist women of a particular age, background, and culture.

This is a space where you - patrons and passersby alike - can view and engage with these perspectives through the lens of True Blood and contribute your own thoughts. So, no matter if you're a Truebie or a more casual viewer of True Blood, or your drink of choice is a pomegranate martini - one of Rachel's favorite cocktails to drink and Rebecca's to mix - an herbal tea, a frothy double mocha latte, or a can of Fresca (wink, wink) you're invited to join the conversation on the show's complexities in a way that can spark transformation.

Hopefully you'll find something to sink your teeth...err...straw, into! PLEASE ENJOY RESPONSIBLY ;-)


The Pierced Pomegranate Tavern is dedicated to exploring social issues and more through the lens of True Blood. As such, you may encounter:

related to the often provocative and adult themes presented by the show

If you choose to enter and participate in this virtual salon, please be prepared to do so in a thoughtful, respectful, and mature fashion with the above in mind. Click here to check out our comment policy. Thanks!


No copyright infringement is intended, all rights to True Blood belong to HBO, credit is ascribed to sites where images appearing here were originally found.

Saturday, May 28, 2011

Sexual Consciousness - The Forbidden Fruit - Sookie's Orgasmic Awakening

(the following is excerpted from the presentation embedded in the post below)

“The power of the erotic is acknowledged in many cultures” (p. 110); Shakti is the Sanskrit term for the erotic as female life force (Austen, 1991). Audre Lorde (1989) poetically describes the erotic as a kernel within herself that, when released from its intense and constrained pellet, flows through and colors her life with a kind of energy that heightens and sensitizes and strengthens all her experience.

Regrettably, in our culture the erotic has been misnamed, made into the confused, the trivial, the psychotic, the plasticized sensation (Lorde, 1989); perverted by ideas associated with pornography (Martin, 1995). In euro-Western culture, the erotic has been denigrated and relegated to so few areas of life that its remaining expressions are overloaded and distorted (Austen, 1991).

We are taught to separate the erotic from most vital areas of our lives other than sex - and to take the true erotic out of our sex; "to fear the yes within ourselves, our deepest cravings" (Lorde, 1989, p. 211).

Women empowered with the erotic are seen as dangerous (Lorde, 1989); the Hebrew Lilith's exile for her sexual independence is emblematic of the Judeo-Christian suppression of women (Austen, 1991). 

How would our society differ for women and men if the erotic's true psychic and emotional components were fully integrated into our lives?

Let's look back to mythology for such a model...

Persephone's pre-Olympian initiation would have been fertile in that it was a complex, transformative experience of the erotic.

Death, life, male, female and, above all, the irrepressible power of reproduction—all are found in the image of the pomegranate seed. It is this seed that Persephone takes within her body—literally incorporating it into her own being. With this seed, she becomes a new person: whole, mature, fertile, and infinitely more complex than before. Having tasted it, she has crossed a barrier from which there can be no turning back. (Gadon, 1989, p. 159).
Sookie’s emergent erotic life has been cited as a central theme of True Blood. Vampire fiction often reflects the fear that such strong, independent, sexual  women will disrupt the fabric of society (Parlour, 2009). For McCabe, Dracula’s worst sin may have been not only rendering women capable of enjoying sex, but transforming them into sexual aggressors.
The legends of the Sumerian Innana contain some of the most erotic, female, and eros-positive literature known (Austen, 1990); she takes an aggressive role in the sacred marriage. Like Innana—and certainly no Virgin Mary, Sookie initiated with Bill, encouraged him along when he faltered, offering her neck, asked him to bite her, signals Bill with her eyes when she was ready to be penetrated – on HER terms. As Brace & Arp (2010) write, when Bill and Sookie consummate their relationship, he penetrates her simultaneously with both penis and fangs, heightening the pleasure for both of them.
HERE YOU'LL SEE THE BRIEF YET POTENT VIDEO - BEST EXPERIENCED WITH SPEAKERS ON - THAT SHOULD APPEAR ON SLIDE 125 OF THE PRESENTATION BELOW (it was part of the original conference presentation but didn't translate in the conversion from PowerPoint to Blogger): 
The ancient initiates to Persephone’s mysteries experienced a special seeing, an “opening of the eyes” (Gadon, 1989); might Sookie’s eyes snapping open in her moment of orgasmic awakening depict “the disturbingly powerful potential of women” (Amador, 2003, p. 1, ¶5) in touch with Eros, sexually sovereign?

(citations correspond to reference list posted here)

~ Rachel

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